Intensities in Ten Suburbs

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Songs We Take For Granted: Squeeze – “Tempted” (1981)

Posted by Andrew Unterberger on August 23, 2008

The truth is discovered

If “Tempted” is the only, or one of the only two or three Squeeze songs you know, you’ve probably heard it from people more reliable than me–it’s not Squeeze’s best song, nor is it even particularly representative of the band’s catalogue at large. But what you might not know already is that “Tempted,” despite being the song that is by far the most associated with the band, was not the band’s biggest hit upon its original release–in fact, it topped out at a paltry #49 on the US pop charts, and was far outclassed by later hits “Hourglass” and “853-5937.” If you’ve never even heard of those two songs, don’t feel too bad–“Hourglass” was mostly a hit due to its nifty trompe l’oeil video, Squeeze masterminds Glen Tilbrook and Chris Difford loathe “853-5937,” and neither is featured on the band’s most popular hits comp, Singles (.45s and Under). But it shows that the continued pop culture presence of “Tempted” isn’t chalkable to simple 80s nostalgia–more people really like the song than you might think.

That said, it’s true that “Tempted” is not Squeeze’s best song–“Cool for Cats,” “Annie Get Your Gun,” “Up the Junction” and even second-most-well-remembered Squeeze song “Black Coffee in Bed” are all much better and much more interesting. Nor is it particularly represenative of the band on the whole–Squeeze were never the edgiest of new wave bands, but “Tempted” practically puts them in Michael McDonald territory, which while not a bad thing in itself, does discredit to the quirky, nervy energy of the majority of their singles discography. But I also don’t think it deserves to be relegated to “stupid hit that the band’s real fans can’t stand” status, either–it’s a simple, immaculate little pop song that deserves exactly the place in pop history that it currently occupies.

I guess what was the stumbling block with me and “Tempted” for so long is how un-new wave (and really, un-80s) it sounds. Because it’s not a new wave song, it’s a blue-eyed soul song to the very core, and a beaut of one at that. Squeeze are such a bunch of goofy white guys by nature (seriously, check that “Hourglass” vid if you have any doubt) that I didn’t realize until very recently just how close to Stax/Volt “Tempted” and “Black Coffee” are. But if you slowed ’em down a bit, put a little grit in the rhythm section and got someone not quite so British to sing the lead vocal, you’d have an Otis Redding record on your hands. The rest of the ingredients are there–the grooving organ lines, the heavenly backing vocals, and the simple, plaintive melodies. Think Al Green doing “How Can You Mend a Broken Heart” and you’re pretty much all the way there.

And the lyrics, which I previously thought were kind of banal–well, yeah, they are sort of banal, but in a much more charming way than I realized. The song was written in the least ambitious of circumstances–Tilbrook jotted down the main ideas based on what he saw passing in a cab once–and it’s reflected in the mundanity of the lyrics, which provide a perfect base for straying once the song gets to the more satisfying Temptation of the chorus. Plus, there are certainly clever lines to be had (“I said to my reflection, ‘let’s get out of this place'” is a wonderfully basic and imagistic way to express a feeling everyone has had in a place they didn’t belong), and hearing producer Elvis Costello (who, possibly inspired, would suit up for a similar crossover soul excursion a few years later with “Every Day I Write The Book”) baritone his part of the second verse is a definite treat.

Of course, it’s the chorus that keeps the people coming back. You remember all the commercials, of course–Burger King, Fruit of the Loom (especially bad with the punniness) and most recently, Heineken, all trading on the fact that the song is probably the pop song most simply associated with the casual joy and guilt of temptation. And that’s the key–the song doesn’t pass any sort of judgement on the act of temptation, with temp singer Paul Carrack (who is something like the Forrest Gump of MOR British pop) sounding equally excited, conscience-racked and bored by the concept (and none too much of each). It’s a relatively blank slate of a pop song, allowing listeners to project what tone they will on it.

It doesn’t make it the most scintillating of listens, which is why it’s at least understandable for Squeeze fans to be somewhat resentful of the song’s overinflated place in the band’s catalogue. But really, the travesty isn’t that “Tempted” remains as popular as it does, it’s that the rest of the band’s singles don’t. Viewed instead in the context of all of 80s pop music, “Tempted” doesn’t pretend to be any more or less than it is–a sweet, transmutable little song with a hell of a chorus. May it be used in Levi’s and Dairy Queen commercials for the next 20 years to come.

13 Responses to “Songs We Take For Granted: Squeeze – “Tempted” (1981)”

  1. Keith said

    My two favorite Squeeze songs didn’t even get a mention: “Take Me I’m Yours” and “Goodbye Girl.”

    In an unrelated thought, my nomination for the all-time #1 “stupid hit that the band’s real fans can’t stand” goes to Gary Numan’s “Cars.” I’ve been a Numan fan for years but I don’t care if I never hear “Cars” again.

  2. Garret said

    I would put this up there with “Up The Junction,” “Another Nail In My Heart,” and “Pullings Mussels” as one of the best Squeeze songs, actually. I had a moment a few years ago where I realized that it wasn’t just some bland overplayed shit, but actually a fantastic soul record in its own right and a total standout in their catalog. I think I had it in the top ten on my ’75-’84 singles list… highest Squeeze song on there. Hey, it’s a classic.

  3. billy said

    It became a lot harder to like this song after Carrack’s voice became synonymous with Mike and the Mechanics. And Garret nailed the two best Squeeze songs in “Another Nail In My Heart” and “Pulling Mussels.”

    The Costello “it’s no story I can tell” baritone is fun, especially as it follows his attempt to sound like two more mystery vocalists with the “the people keep on crowding” and “I’m wishing I was well” deliveries. And it’s far more likely that his stax/volt tribute, the 1980 Get Happy! album is what inspired the production on “Tempted” than “Tempted” inspiring “Everyday I Write The Book.” (Though “Tempted” might’ve fueled his desire to have a crossover soul mondo hit.)

  4. MBI said

    The “foot without a sock” line is wonderfully evocative. This song is way better than “Up the Junction” or “Cool for Cats” by a country mile.

  5. Lisa Berlin said

    I’ll be honest — despite my decidedly anti-blog-visiting stance (nothing personal, I shun everybody equally), I thought I’d drop by here, hoping to find a timely mention of my number five all time favorite band. And here they are! Yay! But now I can never again use “I said to my reflection, let’s get out of this place” as an AIM away message. Well, maybe I can.

  6. […] wrote recently about another Southern Soul song written by quintessential white dudes. That’s all well and good, but compared to “Lovin’, Touchin’, […]

  7. GREAT post. I came here via Floodwatch Music, whose taste is impeccable. I’ll be frequenting the comments from now on.

    Squeeze is one of my favorite bands. I stumbled upon them a few years ago when I was working at a record store. I thought that the cover for “Singles and 45s” was one of the worst things I’d ever seen and gave it a whirl. “Pulling Muscles From a Shell” is pretty outstanding as well.

  8. JR said

    I saw the original “Tempted” video on MTV when MTV was commercial free. It was out around the same time as “Fish-Heads”, look that one up! “Follow the bouncing fish-head”
    Anyway Tempted got me hooked on Squeeze! Their solo attempts aren’t in my library, not very good to say the least. So many artists don’t know when they have a good thing…
    One of my favorite Squeeze songs is “If I Didn’t Love You I’d Hate You” I tell my wife of 25 years… yes 25, that “If I Didn’t Love You I’d Hate You” is my song to her. Isn’t that how most relationships are?
    The thing about Squeeze songs from the late 70’s and early 80’s is they still sound contempory!!!
    There isn’t too much I don’t like, my first concert was Led Zeppelin in 1972, and at least a hundred to follow. If it’s good it’s good, for me that includes music from 1938 (blues) to 2010 and on….
    Talk about taking something for granted, talk about Robert Johnson (late 30’s) “The Grandfather of Rock-N-Roll”. We would have nothing without him and his Gibson!

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  11. Lyn said

    I enjoy looking through a post that will make people think.
    Also, thank you for permitting me to comment!

  12. Jim Paterson said

    Actually, both Hourglass and 835-5937 came out after “Singles”, not before.

  13. Rick said

    You may or may not like this song, but don’t call it simple. It’s a challenging song to play with its many non-repetitive chordchanges and a melodic range that needed multiple singers to make it happen.
    The trick and beauty of this song is how deceptively accesible it sounds, while it actually is a piece of craftmanship that very few pop-songwriters can pull off.

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